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newgoldenjewels: March 2020

Saturday, March 28, 2020

Grads In Games Awards 2020 - UCLan Nominees Short-Listed.

GREAT NEWS!

We're honoured to see our students and UCLan Games Design course shortlisted for the 'Grads in Games Awards'! Plus TT_Games are short-listed for their Industry Collaboration with UCLan Games and for employing many of our graduates.
Huge thanks to Arthur Parsons, Head of Design at TT_Games for his endless support and encouragement.
https://gradsingames.com/awards/







The UCLan student nominees include, Jakob MacDonald for the 'Student Game Award'.
Jakob is a graduate from UCLan Games Design and is currently studying for his MA and also working in UCLan's Innovation Lab in Danny Livingstone's team.
Jakob has released an App named 'BacteriAR' on iOS and Android. This Augmented Reality game has been developed for the NHS in collaboration with UCLan School of Medicine to raise awareness about the use of antibiotics.






















Another of our students, Simon Ashcroft, who is currently completing his MA, has also been nominated for the 'Student Hero Award' as he has inspired and rallied many of our games students to take part in several games jams and has formed an indie company which we hope to see develop and become successful. Simon won the award for creative excellence for work throughout 2019 given by The Great Northern Creative Expo.






























TT_Games are short-listed for the 'Graduate Employer Award' for the fact that in the last ten years, they have employed over 50 of our students.























Also the University of Central Lancashire and TT_Games, for the 'Industry Collaboration Award' 
Thanks TT_Games for all the opportunities you give to our games design students.
























It's great to see that all those people are shortlisted 😃 😃


https://gradsingames.com/news/the-grads-in-games-awards-shortlist-is-in/

The winners of the Grads in Games Awards will be announced on April 16th, on the evening of the GamesEd conference, at the National Videogame Museum in Sheffield.


https://gradsingames.com/news/the-grads-in-games-awards-judges-2020/




Download IGI 2 Covert Strike Highly Compressed For Pc

Download IGI 2 Covert Strike Highly Compressed For Pc

IGI 2 Covert Strike Full Review

Welcome to IGI 2 Covert Strike is one of the best Shooting game especially for shooting lovers that has been developed by Innerloop published by Codemasters.This game was released on March 3,2003.


Screenshot



IGI 2 Covert Strike System Requirements

Following are the minimum system requirements of IGI 2.
  • Operating System: Windows XP/ Windows Vista/ Windows 7/ Windows 8 and 8.1
  • CPU: Pentium 4 1.4GHz
  • RAM: 512 MB
  • Hard Disk Space: 2 GB




Teeming With Life


Exoplanets is a fairly simple tile placement game in which players score points by placing and advancing life on the planets with the most advantageous location within the solar system. Play consists of drawing tiles that represent new planets and placing them in one of four rows that extend outward from the central "sun." Where a tile is placed helps determine what resources a player gains from placing the tile; each tile gives its own resource, and also gains one from the tile it is placed next to.

Resources are then used to add life to planets. The cost is determined by the type of planet, and these costs can be modified by "space tiles" that players pick up when placing new planets. Additionally, a space tile played in this manner will often affect other nearby planets, either in the same row or the same "orbit," the corresponding position in the other three rows. This is where the game steers away from the standard engine-building and lack of player interaction that is characteristic of most eurogames, as a well-placed space tile can often force a player to change where they're placing their life tokens.

Life tokens are gradually piled up onto a planet until one player has four, at which point they are exchanged for a species token. At this point all the other players' life tokens are removed from that planet, which adds to the games strategy -- will you try to race with the other players to see who can add life more quickly to the easier planets (the ones that require fewer resources to play on), or will you take your time to build on a more difficult planet in order to avoid the competition?

The game ends when the last energy resource is taken from the center of the board, which is normally also when the last empty spot is filled with a planet tile. At that point players score based on how much life they've put into play, with modifiers for placing life on planets with more difficult requirements.

I like this game because it's managed to put together some fairly familiar game mechanics (tile placement, resource collection, area control) in a unique way. I can't point to any other games that it has much in common with. On top of that the rules come with several variants to keep game play from getting stale, and there's an expansion that adds new space tiles, different types of central stars, and a gravity well that allows players to change around the types of energy they have to spend.

Rating: 4 (out of 5) A neat game with some unique game mechanics and simple, clear graphic design.

Monday, March 23, 2020

Peter Dimitrov Lands Job At MilkyTea Studios!


Great to see our talented graduate @PeteDimitrovArt using his skills on new projects in the
@milkyteastudios.

Peter is a 3D environment artist and games designer and he's just joined the team at MilkyTea in the Baltic Triangle, Liverpool. The company are famous for 'Hyper Brawl Tournament, Coffin Dodgers and Roller Rally.
Huge Congratulations to Peter who has a real passion for art and games design. He created a great portfolio of work and it paid off.



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Friday, March 20, 2020

Planet's Edge: One Line In Three Dimensions

One of several stitched-together mini-quests that I encountered this session.
         
Planet's Edge is not shaping up to be what I thought it was going to be, which was a New World take on Starflight. I think that the developers perhaps started with an intention to imitate Starflight; certain similarities between the games are too stark to be coincidences. But they removed one of Starflight's most attractive traits--the joy of exploration in an open universe--and replaced it with something that I'm not convinced is better. Specifically, there's a lot more emphasis on axonometric exploration of the planets' surfaces, which could have been done well, but so far is a bit silly and trite.

When we left off, I was headed for Sector Algieba, as I had a couple of hints that it would be the best place to start. The sector consists of seven star systems--Subra, Talitha, Regulus, Algieba, Alphard, Koo-She, and Miaplacidus--any of which would also serve as the next Nissan model. Talitha was the closest to where I was coming in, so I explored it first. The system had six planets. As with all the systems with multiple planets, it's hard to keep track of which ones you've already visited since they don't stop whipping around their suns, fast enough that a year might pass while you take a sip from a soda bottle.
            
The stars of Sector Algieba.
          
In Starflight and Star Control, there was a certain joy to exploring even random planets because you might find useful and valuable elements. That's sort-of true in Planet's Edge except that it's very rare to find a planet that has them, you can mine them near-instantly when you do, and at the beginning of the game you can only carry 5 units of any cargo at a time. If you get rid of all your weapons, you can carry 8. So clearly element recovery isn't going to be a big thing until I can build a ship with more room. I'm not 100% sure if I could do that now or if I need to find some plans.

Each planet has a nice textual description (when you "scan") regardless of whether it has any utility. I was enjoying these a lot for a while, but then they started repeating. Ultimately, it turns out there are only about 9 common descriptions:
          
  • A molten, superheated surface giving off toxic fumes.
  • Lots of organic life but no intelligent life, "a nice place to have a picnic."
  • A small rock with a thick layer of gases.
  • Incredibly hot, unstable, with constant volcanic activity. 
  • A "jelly world" with large crystal formations. 
  • A surface only recently cooling down from volcanic activity, no vegetation or atmosphere.
             
One of the "generic" planet descriptions.
           
  • A desert planet.
  • A planet of grasses and plains with no intelligent life.
  • A snow and ice planet.
              
All but one of Talitha's planets were one of these. On Talitha II, however, my scan revealed a castle, "the seat of Avian government." Oddly, the scan screen was titled "If Love Be True," which made no sense at the time but later turned out to be related to the mini-quest that I found on the planet. Thus, it seems that if you scan a planet that has such a quest, you know it immediately because you get a title.
           
I'm not sure that the game needed to be so explicit about each quest.
         
We found ourselves in an Earthlike castle with guards stationed at just about every intersection. The game repeatedly referred to them as "avian," so I guess they were bird-like. We never got a close-up portrait. Most ignored us, but a guard at a section of the castle that was clearly an arena told us that the queen had canceled all spectator sports for a few weeks. We would later meet the queen, and her two princess daughters, but let's pause for a moment to note that these aliens are the first non-human sentient life forms that my characters--perhaps humanity as a whole--have ever encountered in-person. They apparently look like birds and live in castles and have the same type of social structure as a past Earth society. And we're able to speak their language I guess because of information from the crashed Centauri Device? In any event, my characters managed to jump right in to palace intrigue while in real life they probably would have still be staring open-mouthed at the alien guards. For their part, the aliens didn't react to us at all despite presumably never having seen humans before.
               
Exploring the castle.
       
From dialogue with NPCs, it transpired that Princes Jhenna was being forced to marry a reptilian alien from another sector. She naturally didn't want to do this and was hoping to escape Talitha II to find her true love, a former palace servant who came from the planet Henresia, also known as Subra II. Meanwhile, some faction was planning a coup and had placed a bomb in a fountain near the wedding site, intending to kill both the queen and the princess.
   
We agreed to help the princess. I don't think this was a role-playing choice so much as something that you have to do to as part of the main plot. She said that she could escape through a hidden door if we could move a heavy piece of furniture. This required us to find a "levitator," which was on the other side of a navigation puzzle so annoying that whoever designed it should be hunted down 30 years later and forced to make it through a real-life version.
            
The princess's sister, who I guess is also a princess, explains the situation.
          
The puzzle required the party to wend our way through a roughly 6 x 10 matrix of bushes, only some of which could be walked upon, and some of them had mines planted within them that would damage the party members for about half their health if they were within the one-square explosion radius. Unless I missed something, there was no way to tell which bushes had bombs without setting them off.

You can S)earch for them, which is the subject of its own annoyance. The reference card that comes with the game doesn't mention "search" as a function when exploring on land; it only mentions "look." (It does mention "search" later in a master list of commands, but not in the list specifically within the ground movement section.) For most of this session, I didn't even realize that "search" existed, which means that I missed a lot of loot in various chests and barrels in the palace and probably on the Centauri outpost, too. But even when I reloaded and checked, "search" just caused the bombs to go off.

Thus, through trial and error, I had to make a map of the safe route through the bushes (this reminded me unfavorably of a level in Wizardry IV), only to discover that it still wasn't safe. You only really control the movement of your lead character. The others do their best to follow, but they often go blundering off in their own directions, get trapped behind closed doors, get lost in mazes, and so forth. Even when I had the right path mapped, I couldn't necessarily stop my trailing characters from wandering off it. I eventually just had to accept the damage and move on.
            
My moron party members set off a bomb despite my best efforts.
         
In due course, we found the levitation device, used it on the bureau, and hustled the princess through the secret door. The passage led to a courtyard where one of her friends waited with a spaceship. As she rushed aboard, she tossed something at us and told us to take it to "He Who Speaks" on Henresia, presumably her lover. The item was a "trinket."
           
Man, this would have come in handy in the Bolingbroke household over the last month.
         
I tried to explore more, but the palace guards all turned hostile at this point, and without any experience gain or any place to sell looted equipment, you're basically fighting for no reason. We ultimately beamed back to the Ulysses and moved on.
           
The crew has a Star Trek-like transporter chamber for beaming up and down.
        
The closest next star was Subra, presumably home of the Subra II that we had to visit to find "He Who Speaks." We warped to the system and scouted a few planets before we were contacted by a ship. It had the same thuggish-looking alien who'd defeated us in combat before, demanding 3 "units of cargo." I hadn't saved in a while and wasn't confident in my ability to win in combat anyway, so I offloaded 3 units of heavy metals we'd brought from Earth.
              
Transferring cargo.
       
The transfer screen above comes up at the warehouse on Earth, while you're in orbit around planets, and when you're trading with aliens. You hit + or - to add or subtract cargo from your ship. It's not quite as fun as taking a lander down to the surface and looking for signs of ore deposits.
             
The next quest begins.
          
On Subra II, we hit the next quest, titled "Gift of the Magin." The planet was far more imaginative and alien than Tanitha, covered with swamps, ferns, mushrooms, tall trees with sprawling root systems, and biting insects. We were attacked several times by some kind of bear-looking beast which left meat behind when we killed it.
           
Firing at, and killing, a beast.
        
The intelligent species was a fungus-based biped with no eyes or mouth. To communicate with them, we had to first find a writing tool called an "imastyl" which the aliens could use to write messages in the muck. One of them wanted the meat we'd collected from a beast to allow us to cross a bridge.
            
The party approaches the Magin on the weird planet of Subra II.
          
Living in the hollow of a dead tree, we found a woman named "She Whose Steps Are Wise," otherwise called "The Magin." She asked us to kill a mutant named "He Who Speaks" who lives on the other side of the river and apparently sets traps for his fellow Subraites. We fell victim to more than one of them.

We found "He Who Speaks" in a cave. He was so-named because of a genetic mutation that allows him to talk with a mouth, and he claimed that the deformity left him persecuted by his people. We declined to kill him (again, I don't know if we had any other real option). He thanked us and asked us to go rescue Princess Jhenna. When we gave him the trinket instead, he thanked us and suggested that if we took the Magin the Talking Stick that he previously stole, she'd prize it more than his death. Jhenna hadn't arrived yet, but he seemed confident she'd be along. I'm not sure how an anthropomorphic bird mates with a talking mushroom, but I guess that's for them to figure out.
              
I guess maybe this is a real choice, and I could have killed him to solve the quest.
        
We found the Talking Stick in a cavern nearby. There was some creature called the Bladderclaw--an underground beast whose bladed tentacles came bursting out of holes and attacked us. We tried to fight it for a while, died, reloaded, then remembered we had no reason to keep fighting once we had the stick. (Perhaps there was a cache of better weapons and armor past him or something.) We left Bladderclaw in the cavern and returned the Talking Stick to the Magin. She said that since she had it back, she would be "too busy to deal with the Algiebian issue" and thus appointed us as her envoys to . . . something.

The crew wastes time trying to fight a monster.
             
The next star was Koo-She. It had only one planet, Koo-She Prime, where a scan promised a quest called "Solitaire." We beamed down into some structure beneath the surface of the planet. That's as far as we got. We were blocked at the first door with a message that "only envoys of the President are allowed in the facility." I guess the Magin isn't the president because that didn't do us any good.
           
I swear to you, Sy Sterling sent us!
           
The Miaplacidus system also only had one planet, and it was guarded by two ships and an orbital platform. When we communicated with them, they turned out to be staffed by the same species of goon who had previously extorted us for cargo. Here, he just demanded that we leave on pain of death. I decided I was sick of being pushed around and chose to attack.

Space combat in the game is disappointing. Basically, you just maneuver around the enemy, point your nose at him, and shoot. You can even turn on automatic firing if you want the game to shoot for you, which makes it almost just like Starflight. I assume that once I have a ship with cannons and missiles on the wings and such, I'll have more things to shoot, but nothing really will change. Numbers show the status of your shields and your opponents. I honestly found it easiest to stay in one place and just rotate to face the foes. In the first combat, I destroyed both alien ships but then got killed by the orbital platform. I figured that was close enough to try again, and I achieved victory on my second attempt. My ship was repaired automatically afterwards, requiring no inventory of elements to do so.
           
Destroying the alien ship. I have no idea why the GIF is so slow in the beginning. I have issues with GIFs.
            
Miaplacidus Prime turned out to be uninhabited, but the planet had 27 units of "alien metals" to mine. Of course, after jettisoning the heavy metals we'd brought from Earth, we could still only take 5.

The Alphard system had mostly generic planets. One of them, Alphard Six, had 107 units of inert gases available.
           
Those gases do not look inert.
             
That left the Algiebian system. It had several generic planets and something called Ishtro Station. As we approached we were contacted by an alien who said that the world is "under the Great Protection Treaty signed by affiliates of the Galactic Enclave," and that I would have to pay a fee of 6 cargo units before being allowed to contact the world. I tried giving him just 5, but he wouldn't take it.
          
What would you say he look like? A horse?
           
Random notes:
             
  • One denizen of Talitha II did recognize us as "humans" and said that he hadn't seen any of us "since the Concierge locked up the Izor system." This suggests that humans live in the Izor system and perhaps that its ruler even is one.
  • There is no consideration of fuel in this game, nor does there seem to be any kind of timer.
  • The inability to move diagonally is really annoying.
  • I didn't talk much about ground combat, but it has so few options that the game might as well have offered autocombat. 
  • I got stuck in He Who Speaks's cave for a while because although there was an obvious ladder, apparently the command needed to climb it was "search." The game has a lot of weird interface quirks like that.
            
Since my ship is only capable of carrying 5 units of cargo, I leave you heading back to Earth to either build a new space ship or remove my only weapon from my current one to make more space.

My suspicion is that I'll find some quest that leads me to the first artifact and that the other seven systems will have other batches of extremely linear, named, interrelated quests. But with no open exploration and no good RPG mechanics (there's no character development and combat tactics are minimal), everything is going to hinge on the quality of the stories that make up those quests, and I find their quality mixed so far.

Time so far: 8 hours




Thursday, March 19, 2020

Recent Playtesting: Apotheosis (FKA Worker Learning)


Apotheosis

Since I last posted about it, I've had the opportunity to play Apotheosis (the current title for my Worker Learning game) about a dozen times. We've quickly iterated on a couple of different aspects, going from 8 starting workers (one level 1 and one level 2 of each type) to 4 (one of each type, some level 1, some level 2, depending on turn order), adding a space to recruit more workers (I'm torn on this), adding a space to pay a chunk of resources for steps on the victory tracks, and tweaking the resolution of the Recall turns and the requirements and rewards for adventures.

The current version looks something like this:

You start with a Fighter, a Cleric, a Mage, and a Thief, 0/1/2/2 of them are level 2 at the beginning if you are player 1/2/3/4 (the ones that start leveled up are dealt to you randomly, and no two players will have the same combination of upgraded starting workers).

You take turns either placing a worker and gaining the benefit of that space (your worker must be at least tied for the highest level in that area), or recalling your workers and sending them on an adventure. Most spaces are better if you are higher level, or the right class. You can gain resources, train (level up), claim adventures (so nobody can do them out from under you), buy progress on the victory tracks, turn resources into blessings, which are like wild resources, visit the Throne Room to earn royal favors, or visit the tavern to recruit more workers.

When you place a worker, you have the opportunity to play a Side Quest card for either of 2 effects (one cares about what type of worker you are placing that turn, the other doesn't). When you recall workers, you earn steps on the three victory tracks, and if you qualify, you may do an adventure to earn more steps. The adventures have 3 tiers, and the higher the tier you do, the better the rewards. After returning from an adventure, your workers level up, becoming better at their jobs.

When you do certain Side Quests, or tier 3 adventures, you get a special resource called Spoils. You can visit the throne room to turn those Spoils into Royal Favors, which you can use at certain points on the victory tracks to take a "shortcut" as well as earn a Boon (reusable power card).

Design concerns


I'm noticing a real tightness in the design -- a difficulty creating adventures that are both doable by a player who has not recruited any new workers, but also doable by a player who has. The current level cap is 6, and so I wanted the adventures to require max 6 levels of any one class. If you hire a worker, then place it, and recall once, then you have 2 workers who's levels total 4 or 5 -- that's almost maxed out already! I am considering making the level cap 8 instead of 6, but d6s are easier to use in the prototype. Doing so would allow for more variety and more texture in the adventure requirements. It's also possible that not every adventure needs to be doable without recruiting another worker.

With just 4 types of worker, many of the tier 2 adventures require 3 of the 4 types. So you basically need to train up all of your workers if you wan to use them at all, there's not really such a things as choosing a class and neglecting it. I'm considering adding a 5th worker type to help with this -- it would allow the adventure requirements to be much more diverse.

Another thought is to add Split and/or Prestige classes:
Split classes would be like regular workers, that count as either one or the other of two types (like a Fighter/Thief would count as either a Fighter or a Thief.
Prestige classes would be like super workers that count as BOTH of two different types (Paladin = Fighter AND Cleric). For these you would probably have to discard your previous worker, therefore they BECOME a dual class worker.

Brainstorming possible solutions


Split/Prestige class workers would be pretty cool. but that sounds like expansion content to me. However adding a 5th (maybe even a 6th?) class to make the adventures more different from each other sounds reasonable. But that idea comes with its own challenges...

In the current game, each worker type is associated with 1 resource, and 3 of them are associated with one of the victory tracks. When you recall a fighter, you advance on the Crown Imperial track, and adventures that require fighters advance you further on that track. Thieves are associated with the Prince of Thieves track, and Mages are associated with the Mastermind track. Clerics are great supporting characters -- they aren't associated with any particular track, but instead give you Blessings, which are sort of like a wild resource that can be used in various different ways.

So if another worker type is added, do we need another resource? That might be a pain, but would be doable. Another victory track? I don't necessarily think that's a good idea (though I suppose it could work). What is another iconic adventurer class anyway?

One possibility is to make this 5th class a sort of Split/Prestige class like I mentioned above. Like a Paladin, which could act as either (or both) of a fighter or a cleric. But that would simply overload the fighter related stuff. So maybe better if whatever the new class is, it doesn't advance any of the tracks, but is otherwise "better" than a normal worker (counts as all types when placing?). Or perhaps it advances the track of your choice, and has some other drawback (doesn't count as any type when placing?).

As for the level caps, one way to fix that situation is to not use dice as workers (even though it's super convenient for prototypes). Instead, perhaps a mini or standee, with a base that has a little pointer, then a dial could be attached to the bottom such that the pointer points to the number on the tile corresponding to the current level. This is a user friendly way to not have to use dice, and therefore not be as limited in their value. The level cap could easily be 8, or even 9!

Another, different possible solution to the over-leveling issue is to limit the level-ups to only 1 per recall turn. This would slow things down considerably, and it would probably matter quite a bit which one you choose to gain levels and which ones you don't. It might also make a much bigger difference between playing 1-2 workers then recalling vs playing 3 or 4 before recalling. I'd be afraid this is TOO slow, but it ought to be easy enough to test. If it works, then that would make a level cap of 6 potentially viable after all.

Download IGI 2 Covert Strike Highly Compressed For Pc

Download IGI 2 Covert Strike Highly Compressed For Pc

IGI 2 Covert Strike Full Review

Welcome to IGI 2 Covert Strike is one of the best Shooting game especially for shooting lovers that has been developed by Innerloop published by Codemasters.This game was released on March 3,2003.


Screenshot



IGI 2 Covert Strike System Requirements

Following are the minimum system requirements of IGI 2.
  • Operating System: Windows XP/ Windows Vista/ Windows 7/ Windows 8 and 8.1
  • CPU: Pentium 4 1.4GHz
  • RAM: 512 MB
  • Hard Disk Space: 2 GB




Suzy Cube, Available NOW!

#SuzyCube #gamedev #indiedev #madewithunity @NoodlecakeGames 
The wait is finally over! Suzy Cube is now available! I want to take this opportunity to extend my most sincere thanks to everyone who helped make this possible.
Read more »

Thursday, March 5, 2020

Sydeny House + DOWNLOAD + TOUR + CC CREATORS | The Sims 4 |



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Battle Of Sheikh Sa'ad 1916


It's Xmas Time, or it was a month or two ago, and Xmas means Mesopotamia here at YG. Over the years we have fought our way up from Basra to the outskirts of Bagdad only to be forced back to Kut where our last game saw the Turkish forces trying to break into that town.

With the Poona Division tied up in Kut we move to the newly formed Tigris Corps and their attempts to relieve the siege.

Highland Regiment waiting to attack
Historical Background 

South of Kut at Ali Gharbi, Lt Gen Alymer was putting together a force to save Gen Townsend and his besieged men. Pressure from above was strong to get the relief force in motion and Alymer set off on the 4th Jan 1916 with just three Brigades of Infantry and some Cavalry, around 10000 foot and 1340 Cavalry supported by 42 guns of various calibre.

British Cavalry waiting for the off
The Turkish Forces had settled into a siege at Kut, the German Commander Von Glitz over ruling the Turkish Officers who remained in favour of taking Kut by force. A substantial amount of the soldiers in the area were needed to keep the British hemmed in. It was down to Colonel Pasha and his XIII Corps to move down river and position themselves to block the advancing Empire Force digging in just south of Sheikh Sa'ad.

Turkish Lancers
The British and Indian Troops were advancing blind, the weather preventing any air Recon and the Cavalry not immediately available. Younghusband, in charge of the leading troops said "with no means of reconnoitering and the country as flat as a billiard table, the only way to find the enemy was to bump into them". On the 5th of Jan 1916 word came from local tribesmen that the Turks just up stream, the next day Younghusband did bump into the Turkish positions.

Turkish troops wait patiently for the Empire troops to advance into range
Set Up and Terrain 

The game was played on our usual 12 x 6 table using the Too Fat Lardies rules "If the Lord Spares Us" which are specifically designed for Mesopotamia Palestine etc using 28mm figs from a variety of companies, mostly Woodbine Design Company but with Artizan, Great War, East Ablaze and Empress added in.


Above shows the Turkish positions, empty of figures for the moment, the picture below is the Empire side.


The terrain is very sparse, the odd area of scrub with a couple of low rises randomly placed. The river Tigris has been considerably shrunk in width to give more playable area, it had no effect on the Battle other than splitting the attacking and defending forces. Below is the only map I have found of the battle, pretty sparse as you can see.



British Briefing and OOB 

The British task is simple break through the Turkish positions in front and race to Kut to rescue the besieged troops there. The game represents the initial attacks of the 6th.

Each Empire Battlion is represented on table by a 2 Fig HQ, 4 x 8 men Companies and 1 MG base, not all units present on the day are represented.

Army Command - 4 figs rated Eton.

28th Brigade - 2nd Leics Regt (with 1 Lewis Gun per Company), 51st Sikhs and 56th Punjabi, set up on the left bank (as viewed from the British Lines).

British Signallers with urgent Tea supplies
19th Brigade - Seaforth Highlanders (with Lewis Guns), 28th Punjabis with the 92nd Punjabis in support off table. Centre of the lines.

35th Brigade - 1/5 Buffs (no Lewis Gun Teams), 37th Dogras and the 97th Deccan Infantry in support off table. Right side of Empire lines, as shown in set up photo so flank is about 2/3 of the way down the table,  with 1 Sqn of Cavalry on right flank (thats all 1 have painted).

Artillery 4 Batteries (1 gun model each) , 1 with each Brigade and 1 spare.

Empire Supports arrive on a throw of 9 or more on 2d6 any turn after the 5th.


Empire troops are unaware of the exact location or strength of the Turkish Troops and at the start of the game all they can see are empty trenches. Turkish troops become visible at 20", and cannot be fired at from a range great that that by none artillery units.

British units are give a Rating of 0, Indian 2, Highlanders are classed as Aggressive.

Turkish Briefing and OOB 

Unbeknown to the Empire leaders on the 6th January they outnumbered the defenders quite considerably nearly 4 to 1. The Turkish troops initially will struggle to cover the whole frontage.

It's not Mesopotamia without some random Marsh Arabs 
Army Command - 4 Figures rated Young Turk

Initial on table units are 3 Battalions each with,

1 HQ Section 2 Figs, 4 x 8 Fig companies with 1 MG base in support.

Also there are,

2 Batteries of Artillery, 1 unit of Lancers (12 figures) and 1 unit of Camel Mounted Marsh Arabs.

The Infantry can set up (hidden) anywhere in the trenches, the mounted units on the left flank.

Turkish troops fire and spot as normal with no restrictions. Turkish Troops are all graded 2.

There are two Battalions of Infantry in reserve, organised as above. They are activated if the British get a foothold in any of the Turkish trenches. The Turkish Commander must decide which side of the river each battalion is before the game starts.


In the next post I will have a look at how our game went compared to the actual event.